島岡達三（人間国宝）地釉象嵌象嵌六角鉢を、ヤフーショッピングで販売しております。Tatsuzo Shimaoka (Living National Treasure), Jii-glazed inlaid hexagonal bowl with inlaid inlay, is available for sale.
ご紹介する品物は、人間国宝の島岡達三の象嵌灰皿です。
島岡達三は1919年、東京都港区愛宕出身です。父は組紐師。
その後日本民藝館で 河井寛次郎や濱田庄司の作品に出会い民芸の陶芸家への道を決意しました。その後東京工業大学窯業学科に入学しました。その翌年，益子に行き濱田を訪ね，卒業後の入門を願い許されましたが、太平洋戦争となりビルマへ出征したことにより入門は先延ばしになりました。生還し、1946年に念願の濱田に師事することとなりました。
その後、益子に住居と窯を構え、独自の技法や、個性的な作品を作り上げました。縄文時代に強い関心があり、益子の土と釉薬を用いて縄文象嵌技法を生み出しました。組紐で後付されたこの技法により作られた作品は島岡達三の代表作でもあり、重要無形文化財にもなっております。
こちらの六角鉢は、非常に趣があり、島岡達三の技法や、特徴が盛り込まれております。また形の均衡が非常に良く見る人の印象に、安心感を与えます。どの角度からみても良い景色が楽しめるでしょう。
The item introduced here is an inlaid ashtray by Tatsuzo Shimaoka, a living national treasure.
Tatsuzo Shimaoka was born in Atago, Minato-ku, Tokyo in 1919. His father was a braided cord maker.
Later, at the Japan Folk Crafts Museum, he encountered the works of Kawai Kanjiro and Hamada Shoji, and decided to become a folk art potter. He then entered the Ceramics Department of the Tokyo Institute of Technology. The following year, he went to Mashiko to visit Hamada, and was allowed to enter the school after graduation, but the Pacific War broke out and he was sent to Burma, so his studies were postponed. He returned to Mashiko, and in 1946, he began to study under Hamada, which was his long-cherished dream.
Thereafter, he established a residence and kiln in Mashiko, where he developed his own techniques and unique style of work. He has a strong interest in the Jomon period and created the Jomon inlaying technique using Mashiko clay and glazes. The works made with this technique, which is retrofitted with braided cords, are also representative works of Tatsuzo Shimaoka and have been designated as Important Intangible Cultural Properties.
This hexagonal bowl is very atmospheric and incorporates Tatsuzo Shimaoka’s techniques and characteristics. The balance of the shape is very good, giving the viewer a sense of security. The view can be enjoyed from any angle.
Translated with www.DeepL.com/Translator (free version)
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